In Senghors Shadow: Art, Politics, and the Avant-Garde in Senegal, 1960–1995 (Objects/Histories)

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More options. Find it at other libraries via WorldCat Limited preview. Bibliography Includes bibliographical references p. Contents Rhythm as the architecture of being: Reflections of an un me negre-- The Ecole de Dakar:Pan-Africanism in paint and textile-- Laboratories of avant-gardism-- After the avant-garde-- A passport to the new internationalism. As a major philosopher and poet of Negritude, Leopold Sedar Senghor, postcolonial Senegal's first president, envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing the arts.

Harney analyzes Senghor's Negritude philosophy; the canon of art - known as the Ecole de Dakar - produced under his aegis; and the art created as his patronage system waned. By considering the Ecole de Dakar on its own terms, Harney challenges dismissive characterizations of it as derivative of European primitivism. Highlighting the distinctive cultural history that shaped Sengalese modernism, she reveals its innovations, diversity, and dynamism. Harney surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groups - from those who worked at the height of Senghor's patronage system to those who graduated from art school in the early s.


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Based on fieldwork in Dakar, she describes the particularities of artists' education, practices, and works. She assesses modes of display and interpretation of Senegalese art in Dakar and abroad.

Art, Politics, and the Avant-Garde in Senegal, 1960–1995

Harney discusses art created in the s, during the heady early days of independence, as well as works produced in the less optimistic climate of the s and s. Assessing the increasingly trans-national nature of Dakar's art world, she reflects on the marketing of "international" art. Harney's study is an important look at the particular modernism that flourished in the long shadow of Leopold Senghor.

Bibliographic information.

Melvil Decimal System: 709.66

Browse related items Start at call number: N S4 H37 Librarian view Catkey: Grabski shows that Dakar-based artists participate in a platform that has a global reach. Frondes Agrestes: Readings in 'Modern Painters'. John Ruskin. David Kenneth Holt. Many contemporary artists produce work that reflects nothing more than a perceived social reality.

It is the author's belief that Postmodern art theory and education have trivialized the place of aesthetics in the visual arts, despite the fact that humans search for meaning in life and experiencing the visual arts is one of the ways they seek such meaning. Humans, according to the author's position, understand the world about them in ways that do not easily conform to logical cognition alone. They may also use intuition or pre-thought in developing their understanding of the world and themselves.

Art Since Charting the Contemporary.

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Peter Kalb. Examines contemporary art from its roots to the present day Art Since Charting the Contemporary presents a chronological survey from the late 20th century into the early 21st century. Similar ebooks. Mapping Modernisms: Art, Indigeneity, Colonialism. Elizabeth Harney. Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists.

Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas.

These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history.


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Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. Phillips, W. Robert Farris Thompson.


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  • Elizabeth Harney. In Senghor's Shadow: Art, Politics, and the Avant-Garde in Senegal, 1960-1995.

This landmark book shows how five African civilizations—Yoruba, Kongo, Ejagham, Mande and Cross River—have informed and are reflected in the aesthetic, social and metaphysical traditions music, sculpture, textiles, architecture, religion, idiogrammatic writing of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil and other places in the New World. Christopher Wright.

About the author

The Echo of Things is a compelling ethnographic study of what photography means to the people of Roviana Lagoon in the western Solomon Islands. Christopher Wright examines the contemporary uses of photography and expectations of the medium in Roviana, as well as people's reactions to photographs made by colonial powers in the late nineteenth and early twentieth centuries. For Roviana people, photographs are unique objects; they are not reproducible, as they are in Euro-American understandings of the medium.

Their status as singular objects contributes to their ability to channel ancestral power, and that ability is a key to understanding the links between photography, memory, and history in Roviana. Filled with the voices of Roviana people, The Echo of Things is both a nuanced study of the lives of photographs in a particular cultural setting and a provocative inquiry into our own understandings of photography.

Victoria L. African Fashion, Global Style provides a lively look at fashion, international networks of style, material culture, and the world of African aesthetic expression. Rovine introduces fashion designers whose work reflects African histories and cultures both conceptually and stylistically, and demonstrates that dress styles associated with indigenous cultures may have all the hallmarks of high fashion.

Taking readers into the complexities of influence and inspiration manifested through fashion, this book highlights the visually appealing, widely accessible, and highly adaptable styles of African dress that flourish on the global fashion market. Solimar Otero.

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This is the first collection of essays to analyze intersectional religious and cultural practices surrounding the deity Yemoja. In Afro-Atlantic traditions, Yemoja is associated with motherhood, women, the arts, and the family. This book reveals how Yemoja traditions are negotiating gender, sexuality, and cultural identities in bold ways that emphasize the shifting beliefs and cultural practices of contemporary times.